Related: , by Brandon T. I have then picked up the Centre output of the plugin and brought it back in on a mono aux input, which is fed straight to the centre. Alongside this you have a high-pass filter, which is a nice addition. CenterOne allows you to bring the phantom center in a stereo signal forward or backward without changing positions of any panned signals. Visually, you can see exactly where to set this point, and it is adjustable relative to frequency with the high width control.
To that end Leapwing Audio is such a forward thinking developer, and their £179 CenterOne plug-in is just the kind of offering I like to see to get my creative juices flowing. This past year has been amazing for us. As you might guess, this is not a conventional reverb, and the only controls available are Depth and a Color slider, which manipulates the frequency balance of the added reflections. And rather than being some generic stereo toolbox, CenterOne actually has a notably lean and focused feature set. First up is Width, which can be used on stereo signals to stretch the sides further away from the centre, while leaving the phantom centre signal untouched. To compensate for this Dolby and other cinema sound system manufacturers decided to add a third speaker to the front, directly behind the centre of the screen.
The Auto button automatically compares input to output levels and matches; I found this to work best when adding a Stereoizer effect late in my mix process—there was no need to reset or redo automation moves for newly processed tracks. Then you may set the low-frequency node below which all audio will be mono. Using the same tool, producers and engineers have the ability to add natural depth to recordings, with their unique and innovative directionally optimised reflections. Stereoplacer 3 redistributes the stereo balance by frequency in a practical way. In use, it's quite a mysterious processor, and it can be hard to predict when it will be effective. The basic concept seems to be to extract a signal that corresponds to what we hear as the 'phantom centre' and process this independently of the rest.
Level meters and mutes for these generated L, C and R streams help in setting up the split. Finally, the Mono Spread module is more versatile than its name suggests. This is one of the coolest and most useful plug-ins in my digital tool set. When any node is selected, a detailed control zone indicates its filter type be it bell, or high or low shelving curve , its center frequency, Q or resonance in the case of a shelving equalizer, and current panned position. Unfortunately when your speakers are behind the screen in a cinema, the majority of the audience will be sitting outside the sweetspot.
Monofilter was especially useful in controlling recordings with unfortunate room resonances that led to certain bass notes causing modal ringing. Width is perhaps the most conventional in terms of its application — it's a stereo widener — but the techniques it uses to achieve this goal are obviously a bit more sophisticated than the usual 'fling an M-S matrix on and ramp up the Sides level' approach. I found this useful in troubleshooting stereo instruments and drum kit recordings that unexplainably went off-balance. You can tempo-lock in subdivisions and you have a choice of sine, triangle, square or random wave modulation sources. Rather than compromising the full sound of the pad by just using a conventional highpass filter, I used Monofilter. Ignore the centre speaker at your peril - if you do, expect lots of negative dialogue clarity feedback! Whilst it is very useful within the stereo domain, it is also really handy for use with dialogues, music and effects in 5.
For my music mixing, using this on individual stereo instruments is a winner. Welcome to our blog page, here we gather interesting articles about our plugins. An adjustable band-pass filter constrains the frequency content of the virtual centre output, with the remainder going to the sides. CenterOne has very few competitors. Indeed the centre speaker should be of identical frequency response and power to the front left and right speakers.
When fed a mono signal, it performs something that is conceptually akin to the old 'electronically reprocessed for stereo' trick that blighted so many albums in the late '60s — but which actually sounds remarkably good. Unwanted phase inconsistencies are easily taken care of; low frequencies can sound more centered and solid within the mix. It can be ever so subtle and not intrusive at all. There's nothing that can be done about this - it's the laws of physics. StageOne looks to modify the sides of the signal, adding depth and space to any recording, while maintaining mono compatibility. The plugins are on sale for £142.
I found it perfect for widening mono pad tracks where I had added stereo delays, chorus and Haas effects. I didn't like it on everything, but to my surprise, I loved it on a mix that had been recorded live and was already quite reverberant, where it seemed to glue everything together in a way that I hadn't realised needed doing. Left, Centre, Right Contrary to common misconceptions the centre channel is not designed for dialogue only. All things considered, CenterOne is hugely impressive. Released 2 major new versions of CenterOne and DynOne, and we received an Award for Product of the year from MusicTech.
The Width control will do nothing to a mono track, but if you add some Mono Spread, then it will widen it further. StageOne has been designed to give producers and engineers intuitive control over the perceived dimensions of the stereo soundstage; stretching width and adding depth to any mono or stereo signal. Stereoplacer window Stereoplacer finishes with an output meter to show clips and the ability to do a spectrum analysis before and after the stereo redistribution. Dialogue, Effects and Music are all designed to be passed through this speaker, and the effectiveness of the front sound image depends on the centre speaker being identical. The Width effect is good for creating space as it increases the distance between the centre and side elements, and works well on things like backing vocals, or to gently widen a whole mix. Need to open up a stereo mix, individual drums, piano or guitars and making them wider without sounding phasey and keeping mono-compatibility? As a first product from a new developer, especially so. Both plug-ins are powerful and useful, but it looks like CenterOne has better manners.
Both processors are usable and adjustable separately or will function together. It is neutral at 100 percent and collapses toward mono with values less than 100 percent or widens out with values above 100 percent. By Sam Inglis Leapwing Audio have produced a series of innovative plug-ins that appear to be prompted above all by demand from mastering engineers, but which have applications in mixing too. Under the hood are three advanced and carefully tweaked algorithms for controlling width, which have been distilled down to two controls each, plus an Output Trim. The Stereoizer 3 window, showing intensity of signal across the left-right field. We found the combination of all three controls worked wonders for pushing particular elements to the background and out of the way of foreground instruments, and it added a lovely, natural 3D feel to mono lead vocals.